Books
In Favor of One’s Time: Locating the Curatorial Practices of Kynaston McShine, 1959–1999, accepted for publication at University of Arkansas Press. For the project description, see my Dissertation Abstract.
Exhibition Catalogs
Climate Change & the Environment, The Art of Portrait & Text, ed. George Rivera. Denver: ARTNAUTS Publications, 2009 (exhibition assistant and contributor).
Edited Volumes
“Hassan Hajjaj in conversation with Alice Planel, Hub Wahad: On Finding Inspiration in a Community of Nomads,” in Islamic Art: Past, Present + Future, eds. Sheila Blair and Jonathan Bloom, 105–20. New Haven: Yale University Press, 2019 (interview transcriptionist).
Digital Catalogues Raisonnés
Martin B. Johnson, professional website and digital catalogue raisonné. Compiled and digitized hardcopy and born-digital texts and ephemera; designed website; wrote biography, curriculum vitae, Richmond, VA, 2018.
Blogs
“Telling Theresa Pollak’s Story.” VCUarts News, published in conjunction with the exhibition Theresa Pollak: The Wonder of Life, organized for the Pollak Society in commemoration of the ninetieth anniversary of the School of the Arts at Virginia Commonwealth University (VCUarts), Reynolds Gallery, Richmond, VA, Aug. 2018.
The Art of Art Historical Research, final project for PAPR 591 Beyond the Gap: Art Into Life, taught by Hope Ginsburg and Lauren Ross, School of the Arts, Virginia Commonwealth University, May 2017.
“Douglas Rieger: The Mechanics of Desire.” Ext. 1708, published in conjunction with the exhibition Douglas Rieger: Character Armor, 1708 Gallery, Richmond, VA, Sept. 2016.
Other Writing
Press Releases
“Theresa Pollak: The Wonder of Life.” Reynolds Gallery, Richmond, VA, Sept. 2018.
“Ron Johnson: Distorted Horizons.” Reynolds Gallery, Richmond, VA, Aug. 2018.
“Summer Steals.” Reynolds Gallery, Richmond, VA, June 2018.
“Elizabeth Gilfilen: Shorthand.” Reynolds Gallery, Richmond, VA, June 2018.
Short Form Writing
Julia Halperin, “Remembering Kynaston McShine, the Visionary MoMA Curator Who Defined Some of Contemporary Art’s Most Radical Movements,” artnet news, 9 January 2018 (invited contributor).